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Cape Cod Art, 2016

Scott Terry has always had art in his blood, but it took a quiet revelation on the other side of the world to make him fully realize what his life’s calling would be. “I remember the exact moment I had what you would call an epiphany,” Terry recalls. “I was sitting in my hut in Bali in 1972, painting a sign for these kids who owned the place I was staying at, when suddenly I knew I’d be doing this for the rest of my life.”

As a child growing up in Rhode Island, Terry loved to draw and paint. After taking classes at the Rhode Island School of Design, he enrolled in a medical illustration program at Drew University in New Jersey with the goal of taking his passion for art into the “real world.” But the travel bug bit him, and beginning in 1972 he spent a few years traveling throughout Asia. He stayed for months at a time in Afghanistan, Nepal, Thailand, Indonesia, Malaysia, and India. Captivated by the art he encountered, Terry immersed himself in learning such diverse forms as batik design in Yogyakarta on the island of Java and block printing in Nepal.

When he returned to the United States in 1975, Terry studied painting at the Swain School of Design in New Bedford (now part of the University of Massachusetts-Dartmouth). Since then he has dedicated his life to painting and commercial fishing. “All I’ve ever done,” he says, “is paint, draw, and fish.”

Terry loves spending time outdoors, both at his summer home on Martha’s Vineyard and at his winter home in Vermont. In summer he fishes the waters of Nantucket Sound, and his brilliant yet subtle land and seascapes in soft purples and pale oranges are inspired by countless sunrises and sunsets witnessed from his boat. His full-moon scenes, on the other hand, are characterized by bold, striking colors. He paints mostly in oils but sometimes works with pastels.

A professional artist for nearly four decades, Terry continues to take on new challenges. His latest endeavor is fossil preparation; he prepares fossils for display in museums and private collections.

And the artist has never lost his love of learning. “When I’m painting, I know I’m learning,” Terry says. “It’s hard to put into words, but I know that I know things I didn’t know before I did the painting.” – Marina Davalos

Scott Terry’s paintings can be seen at two galleries on Martha’s Vineyard: North Water Gallery in Edgartown and the Granary Gallery in West Tisbury.

Cape Cod Art, 2016

Growing up in an artistic family, Sarah Holl always intrinsically understood that she would be an artist. “In fact, one of my earliest memories is of throwing myself on the floor in a fit of frustration over a finger painting I was doing—I was 3 or 4!” she says. “I still do that, by the way,” she adds with a laugh.

The daughter of the late Harry Holl, creator of Scargo Pottery, Sarah Holl grew up surrounded by the beauty of Scargo Lake in Dennis. She began selling her own pottery—little ceramic houses—when she was just 5 years old, and she decorated and sold her father’s pottery throughout her teen years.

Holl considers herself lucky to have interned with her father; her sculptor grandfather, Arnold Geissbuhler; artist Cynthia Packard; and artist Sam Feinstein. “This is the reason why I take on so many interns now,” she says. “It feels like I’m giving back.”

For most of her life Holl has been a sculptor, doing some painting on the side. But in the past few years, she has focused on painting and collage, using acrylics and mixed media on wood panels. She creates large-scale, permanent pieces that can be displayed outside and last for generations. “They’re outdoors, and they’ll last forever, long after I’m gone,” she says. “I feel like that gives some purpose to my life.”

Holl uses an unusual combination of materials to create her paintings/collages on panels, which can be as large as 8 feet from top to bottom. She begins by applying acrylic paint to a wood panel, and then adds some reflective foils or cut-up pieces of paper, giving the piece a textured look. She finishes the work with an epoxy resin to seal it and add shine. Some of her large-scale pieces can be seen at Cape Cod Hospital and at The Naked Oyster restaurant, both in Hyannis, as well as Anejo Mexican Bistro in Falmouth.

Her relief sculpture can be described as representational, while her painting tends toward the abstract. She paints loosely representational horses, the female figure, or flowers in a vase, often using bright color for an accent and funky shapes in the background. “My goal is to revert back to the abstract,” she says, “like the kind of stuff you did as a kid.” – Marina Davalos

Sarah Holl’s main studio is at the Cultural Center of Cape Cod in South Yarmouth, located upstairs in the facility’s new wing. When the center is open, viewers are welcome to visit Holl’s studio and see her works in progress as well as finished pieces. She teaches figure drawing classes at the center as well as art at the Sturgis Charter Public School in Hyannis.